2007 Wrap-Up: Covers in 2007

2007 brought a plethora of karaoke wanna bes to the mainstream. It seemed like everyone from Tegan and Sara (Rihanna's "Umbrella") to Lily Allen (50 Cent's "Window Shopper") felt the need to get their "American Idol" on and borrow a fellow artists song. I normally don't condone this kind of recycling, but the following covers are a few of the best.

#3 Tom Thumb "Atlantic City" (Bruce Springsteen)

Anyone who decides to cover the Boss is either a brave soul or a crazy fool. Luckily, newcomer Tom Thumb's chilling voice more than adequately translates to the dark tale of a couple who might be involved with the mafia.



#2 Mark Ronson "Valerie" ft Amy Winehouse (The Zutons)

As a producer, Mark Ronson blew up in 2007 by pushing Lily Allen, Amy Winehouse and Kate Nash as the next "it" girls in music. He also had success on his album of covers, Version, with new twists on old favorites (ODB's appearance on "Toxic" is priceless). Winehouse returns the favor on "Valerie". Ronson's jazzy production soars and is puncuated by Winehouse on every note.



#1 Jenny Owens Young "Hot In Herre" (Nelly)

I promoted this jam earlier in the spring, but it was consistently part of my playlist throughout the year. Young's slowed down and stripped version of Nelly's "Hot In Herre" is hilarious and as catchy as the original. Its even better to hear the ridiculous lyrics (Stop placin, time wastin/I gotta a friend with a pole in the basement (What?)/I'm just Kiddin like Jason (Oh)/Unless you gon' do it) over the plucks of an acoustic guitar.

2007 Wrap-Up: 10 Albums In 2007

3 years ago, if you would have told me that I would be writing a 2007 Best of List that didn't include a rap/hip-hop album, I would have probably spit beer in your face. I could go into a whole rant on why the current state of Hip-Hop didn't allow me to praise the genre, but I've already done that. Instead here is a short list of the great, new music I've discovered this year. Some of my opinions have changed from previous reviews, but that is bound to happen after repeated listening sessions.

#10 Georgie James Places

After a late 2007 release, Georgie James crept into heavy rotation with their fetching album Places. The album has enough addictive indie rock to arm Impact89FM playlists for months with james like "Need Your Needs", "More Lights", and "Look Me Up".



#9 The Rosebuds Night of the Furies

Raleigh, North Carolina's The Rosebuds added a risky electronic touch to their 3rd disc, Night of the Furies and it paid off. I was hooked by the dark, yet danceable "Get Up And Get Out", while "I Better Run" and "Hold Onto This Coat" made for a solid album.



#8 Tegan and Sara The Con

Though the Quinn sisters caught some flack from fans for a more commercial sound, The Con featured some of my favorite songs to date by the twins. The title track and "Back In Your Head" are particularly cathy, but "Knife Going In" and "Dark Come Soon" showcase the duo's unique story-telling abilties.



#7 Band of Horses Cease to Begin

Although I was late to jump on the Band of Horses hype machine, I soon found Cease to Begin was a near perfect fall album. Spectral sounds and loud riffs on "Is There A Ghost?", "Detlef Schrempf", "Marry Song", and "No One's Gonna Love You" made for a bright album in the dark months ahead.



#6 Spoon Ga Ga Ga Ga Ga

Terribly titled, but Ga Ga Ga Ga Ga is Spoon's six album and could easily be the band's best. "You've Got Your Cherry Bomb" and "The Underdog" were infectious enough to grace my i-pod countless times this year. "Don't You Evah" and "Don't Make Me A Target" were breezy, indie rock gems that rounded out the album's upbeat sound.



#5 Amy Winehouse Back to Black

As if teleporting from the past, Amy Winehouse burst onto playlists everywhere with the retro-infused album, Back to Black. While her troublesome offstage antics caught the attention of many, her soul & jazz influenced album won over critics and bloggers most. "Rehab" burned up the pop charts, while "You No I'm No Good", the title track, and "Love Is A Losing Game" gave a feel of '60s Motown nostalgia.



#4 The Bees (Band of Bees) Octopus

One of my earliest reviews was of The Bee's (or Band of Bees in the US) stand out album, Octopus. 8 months later, my opinion hasn't changed. The Bees' eclectic musical offerings from the '60s rock stylings of "Love In The Harbor" to jazzier fare on "Got To Let Go" made for an amazing album. The musings on "Who Cares What The Question Is?" could easily make for the best bluegrass impressions of the year.



#3 The New Pornographers Challengers

Canada's "super group", The New Pornographers jumped the front of the list with Challengers. With that many great musicians contributing, how could the results not be amazing? "Mutiny I Promise You" and "My Right Versus Yours" dropped light political messages, while the title track, "All The Old Showstoppers", and "Go Places" were simply great indie rock.



#2 Feist The Reminder

Leslie Feist crafted an impressive indie pop breakthrough with The Reminder. While Apple and Verizon capitaled on the sounds of "1,2,3,4" and "My Moon My Man" for marketing campaigns, "I Feel It All" and "The Water" were equally ear pleasing. I was lucky enough to see her genius in Ann Arbor this fall and The Reminder was just as perfect live.



#1 Arcade Fire Neon Bible

In 2007, Win Butler and company crafted a hauntingly good follow-up to The Funeral. Chilling vocals and an eerie pipe organ made songs like "Intervention" and "My Body Is A Cage" creepy in a good way, allowing "Keep The Car Running" and "No Cars Go" to light up the album with '80s-esque energy. Neon Bible blessed more ear drums than any other album this year. Let's hope the band's recent success and sightings with Bruce Springsteen fuel more inspiration for another smash album.



Honorable Mention: Bright Eyes Cassadega, K-OS Atlantis: Hymns For Disco (US Release in 2007), Arctic Monkeys Favourite Worst Nightmare, Jay-Z American Gangster, Modest Mouse We Were Dead Before The Ship Was Sinking, Kanye West Graduation, Bloc Party A Weekend In The City, Editors An End Has A Start, Maximo Park Our Earthly Pleasures, Winterpills The Light Divides

The Klaxons: Mercury Winners? Is It A "Myth"?

I have mentioned the Nationwide Mercury Prize a few times in posts, but haven't really explained it. Basically, its an award show that highlights the best British and Irish albums of the past year. The albums nominated are voted on by a board of music executives from across the pond and usually don't get much play in the States (sad, but true).

Klaxons won this year's prize for their 1st album, Myths of the Near Future. The album beat out the likes of Amy Winehouse, Arctic Monkeys (last year's winner), and the New Young Pony Club. Now I would never call my self a journalist or a music critic, I just happen to like writing about music I feel others should pay attention to (or at least give a listen). I don't have a literary degree or have ever been in a band, but I still like to voice my opinion. I just wonder how the "expert" voters came about choosing the Klaxons' album over the list of other nominees. Don't get me wrong, songs like "Golden Skans" and "Gravity's Rainbow" have been in heavy rotation on my i-pod since I heard them. I can definitely appreciate that the band is leading the way in the creation of the "new rave" genre.

The fact of the matter is that Myths of the Near Future is an uneven album, as I mentioned in an earlier post. I may have even been a bit harsh in my initial review, the album was probably a 3 after few more listens. But I have a hard time believing its the best Brit or Irish album of 2007. Especially in comparison to Back to Black and Favourite Worst Nightmare. I am sure Ms. Winehouse will get her due and the Arctic Monkeys got their fair share of praise last year, I just think Klaxons should be rewarded in the "Future", when they create a more focused record.

Klaxons - Golden Skans


Klaxons - Gravity's Rainbow


Bonus: Amy Winehouse - Love Is A Losing Game @ Mercury Prize

Amy Winehouse: "Back" to the Future

Amy Winehouse Back to Black - 4.5 /5 Narks

I first heard English songstress, Amy Winehouse, on Zane Lowe's BBC Radio One show (where I have found more gems than not), but not because I was interested in her. Ms. Winehouse's breakthrough single, "You Know I'm No Good", featured the only and only, Wu Tang Clan member, Ghostface Killah (the best rap name ever!). Of course, Ghostface held his own in a story of lovers that aren't meant to be, but I was eager to find more from this soulful newcomer.

On Amy Winehouse's sophomore album, "Back to Black", Winehouse elicits her listeners attention with a style that is reminiscent of a '60's girl group with tales of modern frustration and angst. Production was done with the help of her past executive producer, Salaam Remi and renowned DJ Mark Ronson. Ronson's pop appeal (past work includes Lily Allen and Nikki Costa) seems have been the perfect complement to Winehouse's jazz background.

"Rehab" has the kind of sarcastic humor that U.K. belle counterpart, Lily Allen, would be proud of. But this is where the similarities should end. Amy Winehouse defiantly belts out her protests to the call and response chorus, whereas Lily Allen's soft, airy voice would lightly spit this tongue-in-cheek anthem. The song is also fitting with Winehouse's recent allegations of public drunkenness and brushes with the law. The previously mentioned track, "You Know I'm No Good" (sans Ghostface Killah), shines on the album with the Brit's warning to her suitor as to what to expect. Seductively, she states "I cheated myself/like I knew I would/I told ya, I was troubled/you know that I'm no good" over a jazzy, brass-filled backing.

The reoccurring theme throughout the album is relationships gone sour, and Winehouse knows exactly how to evoke those emotions through music. "Me and Mr. Jones (F***ery)" is a rant about an on-again, off-again exchange complete with a Supremes-style doo wop effect. "Back to Black" shines as a scathing jab at a former lover, who ended their affair by returning to his former partner. The track has a menacing bass line with a pulsing piano that effectively supplements the despair she feels. Winehouse hauntingly details her fall into the break-up abyss with the lyrics "We only said good-bye with words/I died a hundred times/You go back to her/And I go back to." The gem of the set has to be "Love Is A Losing Game". With eloquently arranged string and piano sections, you can almost see her pouring her heart out in a swank jazz lounge, under a bright spotlight, while onlookers sip gin and cognac.

The only drawback to "Back to Black" is the short run time of 35 minutes (10 tracks + "You Know I'm No Good" remix). The listener will be asking for more of Winehouse's ability to lace jazz + girl-pop influenced rhythms with stunning vocals and pure emotion (Someone should call Kanye West to arrange a Lauryn Hill/Amy Winehouse duet). Look to hear Amy Winehouse's name come up as one of the starlets of 2007.

My personal favorite:
Amy Winehouse - Love Is A Losing Game