Showing posts with label Million $ Mano. Show all posts
Showing posts with label Million $ Mano. Show all posts

Friday, September 19, 2008

Matt & Kim: "Nightmare" Drum Kick


Brooklyn's own Matt and Kim caught my eye and ear last fall, when I saw a video of them performing an acoustic version of "Yeah Yeah" on You Tube. Their bare bones approach, with Matt on an outdated keyboard and Kim drumming on a cardboard box accompanied by a bell, and what looks like Tupperware, blew me away. They are known for Matt's bad, but good vocals, basic melodies and simplified hooks (see "Yeah Yeah" and "Its A Fact"), but you don't need to be complicated to make good indie pop. I immediately snatched up their self-titled debut and the remixes that followed. For some reason, their accessible approach to music makes it that much easier to remix.

Matt and Kim's next album, Grand, can't come soon enough. Their simplicity is backed by the usual bouncy synth on their newest single, "Good Ol' Fashion Nightmare", but Kim's big band drums steal the show. The track is their most jolly and well-rounded to date, and proves you don't always need Auto-Tune if you sing off-key. Besides, they look like their having a blast doing it.

Matt and Kim - Good Ol Fashion Nightmare

Matt and Kim - No More Long Years

Matt and Kim - Its A Fact (Million $ Mano ft Hollywood Holt)

Wednesday, August 6, 2008

Lollapalooza 2008: Day 1


Disclaimer: What I'm about to post is as accurate (and long-winded) as I can be about my experience at Lollapalooza 2008. For each day I'll post photo albums here and you can check out videos here. It doesn't really do justice to what a great event and how sweet the whole atmosphere actually was. Hopefully you will understand why I was grinning from ear to ear all weekend.

DAY 1
After a successful (and on-time) Amtrak train ride from Birmingham, MI to Union Station Thursday night, I could barely sleep in anticipation of Day 1 at Lollapalooza. When I woke up Friday, it was easy to let my sleepiness subside. I was on my own that morning, so after perfect directions from Ms. Waters, I made my journey from the Fullerton stop to Grant Park. After exiting the downtown "el" stop, I followed an obvious group of festival-goers who were trying to decide between early sets by Butch Walker and Rogue Wave.

I happily entered the heavenly gates to the right of a giant, inflated Lollapalooza sign just after 11:30. I didn't need to be at the Myspace Stage for Rogue Wave until 1:15, so I grabbed a free program and wandered the park. I was immediately taken aback by the size of Grant Park (later wouldn't be so roomy). I made it a point to survey all of the stages I had drooled over the past few weeks, take in the unique ideas (Green Street, shaded Hammocks, branded tents, Food Town), Buckingham Fountain and looked for a decent Lolla shirt (no luck).

When I reached the North end of the festival, I stumbled upon the early energy of reggae/hip hop artist, K'Naan at the Playstation 3 stage. He reminded me of K-OS and I quickly took note to check him out more when I got home. Immediately after he finished, Black Lips took over at the Bud Light main stage with their garage punk sound. They didn't exactly keep my attention, so I headed 15 minutes south to get a good spot to view Rogue Wave. Zach & company moved higher on my list of favorite bands with catchy indie songs past ("Publish My Love"), present ("Like I Needed") and Chicago-themed ("Lake Michigan"). I headed back to the Bud Light stage wondering why they were scheduled so early, when they much more worthy of a late afternoon slot. The Go! Team brought a lot of enthusiasm with their indie anthems, but were plagued by early sound troubles and lead singer, Ninja, was mostly drown out by the rest of the band.

The back and forth was only beginning as I hoofed south again, this time for Yeasayer's show at the AT&T main stage. The experimental and Middle-Eastern sounds were felt most on "2080" and the appropriate "Wait For The Summer". Next up was Duffy, back at PS3. I took in most of her set from a distance, but her Motown-influenced sound seemed a bit out of place. I met up with the rest of my party just before Akron, OH duo the Black Keys took the mainstage at nearly the hottest part of the day. So hot, that the crowd cheered for a large cloud that slowly moved in the Chicag sky. Their Southern blues rock was just what the 2nd largest crowd I saw Friday was looking for. Guitarist & singer Dan Auerbach repeatedly praised co-hort Patrick Carney for looking possessed while booming on the drum kit, especially on "Strange Times", "10 AM" and "Your Touch". The Black Keys closing their 3rd straight Lolla appearnce with a thunderous rendition of "I Got Mine" to great fanfare.

We opted to skip Cat Power and made our way back to the south end of the park, stopping at Perry's Tent to see DJ Million $ Mano. The organizers did their best to turn the shady, cool spot into a club-like atmosphere with couches and DJ's aplenty. I only saw a special appearance by Drea of He Say She Say for "Crash Dummie" and heard Mano spin "Lady", but it was enough to check out Mano out next time I'm in town. We caught married duo, Mates of State, (with 2 extra members on strings and horns) halfway through their set. My sweat level was reaching maximum levels but MOS's set was more than enjoyable as they performed "The Re-Arranger" and "Goods" and clearly had fun doing it.

The next two hours were a whirlwind that started with hearing a familiar Grizzly Bear song while inhaling a $5 cheeseburger from Food Town. Bloc Party played a solid set, but Kele and company belted out all of my favorites ("Hunting For Witches", "Banquet") early so we opted for a water break. The crowds had thickened to the point that the "75,000 people" number I heard earlier, became more realistic as we bounced back across to see the Raconteurs. We only stayed for a few songs, but got the point: the band is great a playing nostalgic, garage rock. I pretended that the Cool Kids weren't playing, in favor of catching the 2nd half of CSS's set. I'm sure the Cool Kids were great, but CSS was a great choice. Not only did they play all the songs I needed to hear ("Off the Hook", "Music Is My..") they actually got the Citi stage rowdy. Lead singer Lovefoxxx started in a red body suit with a ring of flowers wrapped around it, only to disrobe to another ridiculous outfit. She jumped roped with the mic cord, was flanked by a hilarious dancer in florescent spandex and made everyone, including a mohawked rocker scream "Alala". Mission accomplished. One of the best performances of the weekend.

Radiohead closed out Day 1 as the only headliner and filled the entire south end of the park. I stuck around for a half hour or so, but just didn't get into them. Everyone raved about their performance, so I'm sure it was great. I was glad I was able to see that ocean of people that clearly loved them. After exiting the park, I took a quick train ride back to the apt., showered and went out with the rest of the Ann St. ladies before I had a chance to think about sleeping.

Monday, July 28, 2008

Pre-Lollapalooza: Part I


In celebration of the event I've been waiting 2 years to attend, Lollapalooza, I've decided to be really original, and make a mixtape for each day. Though I can't claim to know all of the artist descending on Grant Park next weekend, I think have done enough research to keep up.

Day 1 Tentative Schedule:
After arriving by way of Amtrack the night before, I plan to begin Lolla with Rogue Wave's set on the Myspace Stage. If their performance in Ann Arbor last fall is any indication, they should feel right at home with tracks like "Lake Michigan" and "Chicago X 12". Day 1 gets complicated at 2:15 when I have to decide between the cheer-leading anthems of the Go! Team and tribal sounds of Yeasayer. From there, I'll head for the PS3 stage, to see if the hype Duffy has received from across the pond is worthy. After that I'm inclined to see the Black Keys, before hopscotching from stage to stage to catch Million $ Mano spinning and Mates of State crooning at the same time. 6:15-8:00 is a free-for-all with The Raconteurs, Bloc Party, The Cool Kids & CSS battling. Though I still haven't been persuaded to the ways of Radiohead, I would probably check out a few songs before enjoying the Chi-Town nightlife.

My Schedule

Day 1
1. Rogue Wave - Endless Shovel
2. Rogue Wave - Lake Michigan
3. Butch Walker - Race Cars & Goth Rock
4. The Go! Team - Doing It Right
5. The Go! Team - Grips Like A Vice
6. Yeasayer - Wait for the Summer
7. Yeasayer - Sunrise
8. Duffy - Mercy
9. The Black Keys - Strange Times
10. The Black Keys - Your Touch
11. Million $ Mano - Lady
12. Mates of State - Punchlines
13. Mates of State - The Re-Arranger
14. Bloc Party - Banquet
15. Bloc Party - Hunting For Witches
16. The Raconteurs - Broken Boy Soldier
17. The Raconteurs - Old Enough
18. CSS - Music Is My Hot Sex
19. CSS - Rat is Dead (Rage)
20. The Cool Kids - I (Mikey) Rock
21. Radiohead - Karma Police

Wednesday, April 9, 2008

Million $ Mano: Who? Mano!


"Who? Mano!". When you hear that announcement at the beginning of a song, you know something good is coming. Not to be confused with this guy, Mano aka Million $ Mano straight out of Chi-town has been burning out my i pod with catchy remixes left and right. After noticing he DJ'd at a recent Cool Kids show and insistent promotion from my favorite Chicago blog, Fake Shore Drive, I decided to check him out. The results were more than priceless.

Not to be pigeon-holed in one genre, Million $ Mano's seamlessly brings together sounds of hip-hop with elements of house, and drum & bass. His penchant for speeding up the tempo on popular hits and sparkling some drum flair and house flavors makes his works more than catchy. Mano's interpretation for Mr. West's "Flashing Lights" easily made me forget the melodrama of Kanye's much hyped video. With the help of rapper, Hollywood Holt, he managed to make indie darlings, Matt & Kim, danceable.

Aside from remixes, Mano also has produced for G.O.O.D. Music artist GLC and has a side project, He Say, She Say, with singer Drea. After recently catching the ear of Kanye West, let's hope Million $ Mano soon gets the respect across the globe, he's already getting from Chicago artists.

Look for Million $ Mano on tour with M.I.A. at the Fillmore on May 8th with special guest Holy F***.

Kanye West - Flashing Lights (Million $ Mano Remix)

Million $ Mano - Lady


Shawty Lo - Dey Know (Million $ Mano Remix)

Matt and Kim - Its A Fact ft Hollywood Holt (Million $ Mano Remix)