Girl Talk: "Feed the Animals" Indeed

Previously mentioned, in more places than I can count, mash-up maestro Girl Talk released Feed the Animals last Thursday. 2 years after his breakout success, The Night Ripper, Greg Gillis is pretty much the face (but not the creator) of this evolving genre. So far, the Hood Internet, Car Stereo (Wars) and Immuzikation are the only ones close to Girl Talk. Since the classic The Night Ripper, Mr. Gillis has quit his day-job, won a Taco Bell eating contest, and went from doing shows for small gatherings to selling out venues and joining the festival circuit (this year at DEMF, Lollapalooza and All Points West to name a few).

This time around, Girl Talk went with the Radiohead approach by releasing Feed the Animals with the "pay what you want" option. Very interesting, and being the stats nerd that I have turned into, I would love to know how many units sold on the first day/week. I don't think Soundscan will be seeing those records. I bought my copy for $10, which included 14 DRM-free mp3's, plus $3 shipping to get the physical copy this fall (for reasons previously mentioned).

After having the weekend to digest it, I've decided that its okay that its not The Night Ripper. 2 years changes a lot and they are in fact, 2 totally different "Animals". Feed the Animals is much more accessible to the masses sprinkled with more "classics" than you can count. What it lacks in obscure/cult samples, it makes up for in smooth transitions. There are very few spots where an '80s legend couldn't line up with a rap star. While I can't say it has a true "Juicy"/"Tiny Dancer" moment, Animals has some head-turning spots:

-"What Its All About" (Jackson 5 "ABC" + Rihanna "Umbrella") Girl Talk manages to make a young MJ sound electric over the catchiest song from last summer.

-"Set It Off" (Mary J. Blige "Real Love" + the Guess Who "These Eyes") Mary J. Blige's soulful vocals are even better over this stripped down classic.

-"No Pause" (Yael Naim "New Soul" + Eminem "Shake That" + Swizz Beatz "Money In the Bank") The catchiest of all Apple songs, paired with Eminem's filthiest party jam, and a little help from Swizz Beatz makes for a prime mash-up.

-"Play Your Part (Pt.2)" (Huey "Pop, Lock & Drop It" + Journey "Faithfully") While I'm more partial to the Soulja Boy and Journey version I heard in sweat soaked Chicago, I can't think of a better way to conclude the album.

My favorites change each time I listen to it. Cop it while you can. The more popular Mr. Gillis gets, the more I worry that some artist will get grumpy and try to get in Girl Talk's pockets. Look for Girl Talk to continue his non-stop touring through the Fall.

Girl Talk - No Pause

Buy Girl Talk's Feed the Animals here. Preview it here.

Show Stopper: Girl Talk @ Eagle Theater 11/10/07 - Insanity on the Dance Floor

Pandemonium. Mayhem. Insanity. These are the best words I could think of that described the scene I witnessed in Pontiac on Saturday night, and they don't even come close. Girl Talk came to Eagle Theater this weekend and nearly incited a riot with a frenzy of mash-ups that shook the venue. And it was amazing.

Girl Talk aka Greg Gillis, has quickly garnered a cult following among bloggers, hipsters and music fans everywhere with his knack for creating hits out of hits. An engineer by day, entertainer by night, Mr. Gillis soon realized making people dance to mixtures of Dr. Dre & Billy Squier was his true calling. The Night Ripper, gained so much attention that Girl Talk earned sets on the major festival circuit (check out these videos from Coachella and the Montreal Jazz Festival) over the past 2 years. Though I hate the term mash-up, its the only phrase I have heard that best portrays his work. It just doesn't give justice to the expertise Gillis has for the precise beat-making heard on Saturday.

With a line that stretched around the corner of Saginaw St in Pontiac, the anticipation was building for the sold out show. You could sense the feeling that my fellow concert goers weren't sure what to expect. The Eagle Theater's unique decor, was certainly perfect for a unique event. From the ballroom type ceiling fixtures, to the disco influenced platforms, the venue was a mash-up of eras past, collaborating for the sold out event. The opening band, Death Set, didn't show up (according to Girl Talk, the band rocked too hard the night before), but people didn't seem to mind, giving a short chant for the headliner to arrive.

After a brief introduction by Girl Talk, the festivities were ready to commence. Gillis' bare bones approach, dressed in a white track suit and headwrap with a card table and wireless laptop, gave the feeling that he was only here for one reason, to make everyone party. From the first note of the opening song (a revamped edition of "Hold Up"), the crowd was in a frenzy and it only took a few seconds before the entire stage was filled with rowdy dancers. It wasn't long before the aforementioned table helmed by Girl Talk was engulfed in a sea of sweating bodies. While some of my group ventured to the madhouse on stage, the floor was equally electric. Jumping, dancing, and bouncing off people from every angle was the only way to move and not a soul gave a care or sharp elbow. I don't think I've ever seen that many people in one confined area smiling and dancing.

With the non-stop party in full swing, it was hard to take note of the exact sources of the many new creations blasting from the towering speakers. Which is really just a testament as to how amazing the whole event was. Aside from a smattering of tweaked tracks from The Night Ripper (including the classic Elton John/Notorious B.I.G. collabo, "Smash Your Head"), there was a mini Daft Punk tribute, a memorable rendition of Soulja Boy's "Crank That" with Jay-Z's "Big Pimpin" and countless new gems that will hopefully surface on a future album. After almost two hours of a non-stop dance party, everyone in Eagle Theater looked like they had left the best rain shower they had ever been in. Sign me up for Round 2.







I didn't have a camera, so thanks to whoever's pictures I borrowed...