Showstopper: Girl Talk @ Metro, Chicago 1/26/08

My first concert in Chicago and another great Girl Talk show. Metro was filled from top to bottom with hipsters and dance party enthusiasts galore.

Highlights:
-Everyone in our group made into the venue, despite only 3/8 of us having tickets at 11:00 pm.
-Viewing hundreds of dudes screaming "Since You've Been Gone".
-Falling on my face and being lifted from the ground by a stranger.
-With the help of Journey's "Faithfully", Soulja Boy managed to sound epic.
-Surviving with only a few bruises and slight dehydration.

What more can I say? Sign me up for Round 3.

2007 Wrap-Up: Showstopper in 2008

While I am mostly saving my pennies to go to Lollapalooza in 2008, here are a few of the bands I'd like to see live and in person.

#5 Editors/Jack Penate/The Fratellis/The Kooks
Though each of these rising artists/bands from across the pond have very unique styles, I'd love to see them implement their hits on stage. I've already seen Editors, but their expanding catalog would make for a great, dark show.




#4 Georgie James
One of SubPop's newest signees had a great fall with Places. They have already laid plans for part of 2008, hopefully they will bring "More Lights" to Detroit as well.





#3 Girl Talk
While I've already seen this mash-up maestro once (and plan to visit Chicago's Metro for a Jan. 26 sold out show), I could be easily persuaded for another crazy night with Girl Talk. There have been rumors of a new album in early 2008, so why not promote it in "the D."



#2 Neko Case
2006 was chanteuse Neko Case's breakout year with Fox Confessor Brings The Flood, but she still managed to shine in 2007 with The New Pornographer's stellar reunion album, Challengers. From the reviews I have read and evidence from Live From Austin, TX, I'm sure Case's chilling vocals would be more than mesmerizing in person.





#1 Arcade Fire
They made nearly every blogger and critic's top albums list in 2007, but only played a handful of shows in the U.S. to support Neon Bible. The closest Arcade Fire came to Michigan was an October show in Columbus, which wasn't close enough for me to attend. It would be be hard for me to skip a Detroit show with Win Butler's dark orchestra.

2007 Wrap-Up: Showstopper Edition

Early on in 2007, I was worried that many of my favorite acts would skip Detroit for other cities. While I didn't get to see everyone I wanted (Arctic Monkeys, Ben Harper, Rilo Kiley, Spoon & Band Of Horses) and some of them still haven't made it (Arcade Fire, The Decemberists, Amy Winehouse, The New Pornographers), I was more than happy with the shows I was able to attend.

#5 Copeland w/ As Tall As Lions @ Blind Pig, Ann Arbor, MI - 5/7/07

My first show of the year and first ever in Ann Arbor. I wasn't sure what to expect, but Copeland didn't disappoint. The audience was enthralled with lead singer Aaron Marsh's emotion and his piano skills weren't too shabby either. "You Have My Attention" and "Control Freak" were definite highlights.



#4 Tegan and Sara w/ Northern State @ St. Andrew's Hall, Detroit, MI - 11/28/07

Canada's most talented set of twins showed their vast musical talent and patience at this recent show. The crowd helped Tegan and Sara sing most of the numbers from the band's large catalog and gave a few too many suggestions as well. Short anecdotes from Tegan made for memorable moments/rants were perfect for the intamate venue. Recent hits from The Con kept almost everyone happy, but "Living Room" shined as an energetic performance. Northern State aptly opened the show with their fun and earnest female rap session. You couldn't help but smile as they ran through "Better Already" and "Sucka Mofo" while striking poses and jumping along the way.



#3 The Format w/ Limbeck, Steel Train, & Piebald @ St. Andrew's Hall, Detroit, MI - 8/31/07

Energy was abound at this show with members of each band helping out for each other's sets. The Format seamlessly and electrically played past hits and most of their latest, Dog Problems. Limbeck brought West Coast flavor, Steel Train gave a dramatic Jersey showcase and Piebald gave a rowdy effort on their last ever stop in Detroit.



#2 Feist w/ Rogue Wave @ Michigan Theater, Ann Arbor, MI - 9/15/07

Definitely the quietest concert I've ever attended, but amazing in its own way. Feist highlighted hits from The Reminder and Let It Die with a cool backdrop that set Michigan Theater aglow. "My Moon My Man", "Mushaboom" and the encore featuring "Sea Lion Woman" were highlights. The finale even featured Feist as choir director leading the crowd in helpful edition of her biggest hit so far, "1,2,3,4". Rogue Wave had a solid opening slot and featured a rousing rendition of "Lake Michigan".



#1 Girl Talk @ Eagle Theater, Pontiac, MI - 11/10/07

Though it doesn't really qualify as an concert, the Girl Talk show was certainly the best event I attended this year. This fringe riot is probably the only time I'll ever see that many people sweating and bumping into each other like they'll never dance again. Insanity.

Show Stopper: Girl Talk @ Eagle Theater 11/10/07 - Insanity on the Dance Floor

Pandemonium. Mayhem. Insanity. These are the best words I could think of that described the scene I witnessed in Pontiac on Saturday night, and they don't even come close. Girl Talk came to Eagle Theater this weekend and nearly incited a riot with a frenzy of mash-ups that shook the venue. And it was amazing.

Girl Talk aka Greg Gillis, has quickly garnered a cult following among bloggers, hipsters and music fans everywhere with his knack for creating hits out of hits. An engineer by day, entertainer by night, Mr. Gillis soon realized making people dance to mixtures of Dr. Dre & Billy Squier was his true calling. The Night Ripper, gained so much attention that Girl Talk earned sets on the major festival circuit (check out these videos from Coachella and the Montreal Jazz Festival) over the past 2 years. Though I hate the term mash-up, its the only phrase I have heard that best portrays his work. It just doesn't give justice to the expertise Gillis has for the precise beat-making heard on Saturday.

With a line that stretched around the corner of Saginaw St in Pontiac, the anticipation was building for the sold out show. You could sense the feeling that my fellow concert goers weren't sure what to expect. The Eagle Theater's unique decor, was certainly perfect for a unique event. From the ballroom type ceiling fixtures, to the disco influenced platforms, the venue was a mash-up of eras past, collaborating for the sold out event. The opening band, Death Set, didn't show up (according to Girl Talk, the band rocked too hard the night before), but people didn't seem to mind, giving a short chant for the headliner to arrive.

After a brief introduction by Girl Talk, the festivities were ready to commence. Gillis' bare bones approach, dressed in a white track suit and headwrap with a card table and wireless laptop, gave the feeling that he was only here for one reason, to make everyone party. From the first note of the opening song (a revamped edition of "Hold Up"), the crowd was in a frenzy and it only took a few seconds before the entire stage was filled with rowdy dancers. It wasn't long before the aforementioned table helmed by Girl Talk was engulfed in a sea of sweating bodies. While some of my group ventured to the madhouse on stage, the floor was equally electric. Jumping, dancing, and bouncing off people from every angle was the only way to move and not a soul gave a care or sharp elbow. I don't think I've ever seen that many people in one confined area smiling and dancing.

With the non-stop party in full swing, it was hard to take note of the exact sources of the many new creations blasting from the towering speakers. Which is really just a testament as to how amazing the whole event was. Aside from a smattering of tweaked tracks from The Night Ripper (including the classic Elton John/Notorious B.I.G. collabo, "Smash Your Head"), there was a mini Daft Punk tribute, a memorable rendition of Soulja Boy's "Crank That" with Jay-Z's "Big Pimpin" and countless new gems that will hopefully surface on a future album. After almost two hours of a non-stop dance party, everyone in Eagle Theater looked like they had left the best rain shower they had ever been in. Sign me up for Round 2.







I didn't have a camera, so thanks to whoever's pictures I borrowed...

Show Stopper: The Format @ St. Andrew's Hall 8/31/07

The Format - St. Andrew's Hall - Detroit - 8/31/07

Since I have 4 concerts lined up this fall, I figured I would try writing a few concert reviews. One of the first indie bands I was introduced to, also happened to be the first band I saw in concert this year, The Format. The Format are a band from Arizona, who's name refers to their variety in sound, as in, not following the norm. They have released 2 albums (most recently Dog Problems) and a number of EPs that range in style from indie pop to alternative. The were dropped from Atlantic Records, just before the release of Dog Problems, but have gained a huge following due to the band's critical success and loyal fan base.

Last Friday, Laura and I were lucky enough to see The Format at St. Andrew's Hall. The mood was upbeat and harmonious throughout the night and it showed in each of the bands' performances. Members of the Format and the three opening bands frequently sat in on each others sets with ease and excitement.

Since this was an early show (a 5:00 start), we arrived a bit late and missed the first opening band, Reuben's Accomplice. But gladly, we there just in time to take in the scenery before Limbeck took the stage and the sold out crowd began to filter in. I had never been to St. Andrew's before, so I had been looking forward to visiting a new venue. The historic location emitted all of the nostalgic stories I had heard about with its dusty hardwood floor, elevated balcony, and mountainous speakers.

Limbeck was the only band I was able to check out before the concert and they aptly met my expectations. Their indie/alt country sound was very crowd friendly and kept the audience's attention. "Big Drag" and "Honk and Wave" persuaded me to purchase their latest self-titled album. Limbeck was followed by a rousing set by New Jersey's own, Steel Train. Lead singer, Jack Antonoff created a great show with a passionate display of on stage antics echoing the band's classic rock influenced sound. Not to be outdone, Piebald's Travis Shettel had his own way for grabbing the audiences' attention. As I was later told, this would be the band's last stop in Detroit after deciding to amicably break up after the tour and the band played like it. Piebald's entertaining set shot even more adrenaline into the crowd with piano driven indie rock, a crowd surfing attempt and parachuting toy soldiers from the highest speaker in the room.

When the Format reached the stage, it was clear who the Detroit fans were there to see. From the horn-flavored start on "Dog Problems", to the bouncy rendition of "Snails", the crowd served as back-up choir, echoing lead singer Nate Reuss' every word. Though the band only slowed things down a bit on an acoustic session featuring the heartfelt "On Your Porch", it was perfect for the intimate setting. Things quickly picked up with snappy renditions of "The Compromise" and the label-bashing "My First Single" before the raucous encore. The encore came with a run through of "I'm Actual" and "Inches and Falling" and following an invitation, members of all of the opening bands joined in for "Caravan". Nearing the end of a long tour, you could clearly see the new found camaraderie of all the musicians as they grabbed any instrument available to end their Detroit stop on a high note. Concert #1 = Success.



The Format - The First Single (Cause A Scene)


The Format - On Your Porch


The Format - Inches and Falling


*Thanks to a fellow fan who posted more pictures here (I'm too cheap to buy a digital camera).