2007 Wrap-Up: 10 Tracks in 2007

I feel like I might be shooting myself in the foot by neglecting some songs, but as far as I can remember, these were my favorites. Feel free to let me know of any suggestions.

#10 Emmy the Great "Two Steps Forward"

While 2008 will likely bring Emmy the Great to the masses, she started to build a name for herself with a few underground singles. "Two Steps Forward" is a sophisticated rant without a chorus, but you wouldn't know it with her soothing voice. This "anti-folk" single about past loves sounds amazing among a fiddle, light guitar riffs and Emmy's angelic voice.



#9 Arctic Monkeys "Do Me A Favor"

My Favourite band from Sheffield returned after a short hiatus with more stories of mischief in the U.K. This gripping narrative details a relationship headed for the guillotine with the soundtrack to match. The nerve wracking bass line leads to a guitar smashing result that works superbly.



#8 Kate Nash "Foundations"

Kate Nash acquired many comparisons to Lily Allen from her poetic storytelling to her alliance with Mark Ronson, but Nash made a name for herself on her 1st hit single . "Foundations" is solid as a sarcastic break-up monologue filled with clever wordplay over a piano and guitar landscape.



#7 Iron and Wine "Boy With A Coin"

Sam Beam shines on the first single from The Shepherd's Dog. In a departure from his past low key (but still great) work, the track's backing has more than the usual acoustic guitar. Hand claps, electric guitar, light drum and some vocal distortion help craft this song filled with religious imagery.



#6 Bright Eyes "Four Winds"

While it took me awhile to realize the genius that is Conor Oberst, the first single from Cassadaga made me a believer. "Four Winds" features political and religious musings over a refined bluegrass sound. Its easily the best toe-tapping apocalyptic tune of 2007.



#5 Patrick Wolf "The Magic Position"

Patrick Wolf made a name for himself in 2007 as an eccentric character on the upbeat single, "The Magic Position". As if it was plucked from the Willy Wonka and the Chocolate Factory soundtrack, the track features hand clap percussion, a childish chant and a hypnotic hook. The not-so-subtle come on might not work for Wolf in reality, but it works perfectly in song.



#4 Jose Gonzalez "Down the Line"

Gonzalez's latest effort easy caught my ear this summer. His way with a guitar and a cool melody ease the tension on the simple, yet mesmerizing song about regret and temptation. This could also win the award for creepiest video of the year.



#3 The Black Kids "I'm Not Gonna Teach Your Boyfriend to Dance With You"

With a little help from Rolling Stone, Florida's The Black Kids have some of the best buzz leading into 2008. On this single, the band's garage rock sounds sweet intertwined with the bitter storyline surrounding it.



#2 Rogue Wave "Lake Michigan"

Rogue Wave burst back on the scene after recording their latest album, Asleep At Heaven's Gate in the Midwest. This melancholy and socially conscious track features some of their best work complete with crashing guitars and always welcome hand claps. Pay attention and you'll find its about pollution. Imagine that.



#1 Bon Iver "Skinny Love"

You might notice a theme here with minimalist yet dramatic songs featuring an emotional singer on this list, but Bon Iver deserves to be here as well. This folk classic about loneliness after love is as earnest as they come. Certainly my favorite of many favorites in 2007.

2007 Wrap-Up: 10 Albums In 2007

3 years ago, if you would have told me that I would be writing a 2007 Best of List that didn't include a rap/hip-hop album, I would have probably spit beer in your face. I could go into a whole rant on why the current state of Hip-Hop didn't allow me to praise the genre, but I've already done that. Instead here is a short list of the great, new music I've discovered this year. Some of my opinions have changed from previous reviews, but that is bound to happen after repeated listening sessions.

#10 Georgie James Places

After a late 2007 release, Georgie James crept into heavy rotation with their fetching album Places. The album has enough addictive indie rock to arm Impact89FM playlists for months with james like "Need Your Needs", "More Lights", and "Look Me Up".



#9 The Rosebuds Night of the Furies

Raleigh, North Carolina's The Rosebuds added a risky electronic touch to their 3rd disc, Night of the Furies and it paid off. I was hooked by the dark, yet danceable "Get Up And Get Out", while "I Better Run" and "Hold Onto This Coat" made for a solid album.



#8 Tegan and Sara The Con

Though the Quinn sisters caught some flack from fans for a more commercial sound, The Con featured some of my favorite songs to date by the twins. The title track and "Back In Your Head" are particularly cathy, but "Knife Going In" and "Dark Come Soon" showcase the duo's unique story-telling abilties.



#7 Band of Horses Cease to Begin

Although I was late to jump on the Band of Horses hype machine, I soon found Cease to Begin was a near perfect fall album. Spectral sounds and loud riffs on "Is There A Ghost?", "Detlef Schrempf", "Marry Song", and "No One's Gonna Love You" made for a bright album in the dark months ahead.



#6 Spoon Ga Ga Ga Ga Ga

Terribly titled, but Ga Ga Ga Ga Ga is Spoon's six album and could easily be the band's best. "You've Got Your Cherry Bomb" and "The Underdog" were infectious enough to grace my i-pod countless times this year. "Don't You Evah" and "Don't Make Me A Target" were breezy, indie rock gems that rounded out the album's upbeat sound.



#5 Amy Winehouse Back to Black

As if teleporting from the past, Amy Winehouse burst onto playlists everywhere with the retro-infused album, Back to Black. While her troublesome offstage antics caught the attention of many, her soul & jazz influenced album won over critics and bloggers most. "Rehab" burned up the pop charts, while "You No I'm No Good", the title track, and "Love Is A Losing Game" gave a feel of '60s Motown nostalgia.



#4 The Bees (Band of Bees) Octopus

One of my earliest reviews was of The Bee's (or Band of Bees in the US) stand out album, Octopus. 8 months later, my opinion hasn't changed. The Bees' eclectic musical offerings from the '60s rock stylings of "Love In The Harbor" to jazzier fare on "Got To Let Go" made for an amazing album. The musings on "Who Cares What The Question Is?" could easily make for the best bluegrass impressions of the year.



#3 The New Pornographers Challengers

Canada's "super group", The New Pornographers jumped the front of the list with Challengers. With that many great musicians contributing, how could the results not be amazing? "Mutiny I Promise You" and "My Right Versus Yours" dropped light political messages, while the title track, "All The Old Showstoppers", and "Go Places" were simply great indie rock.



#2 Feist The Reminder

Leslie Feist crafted an impressive indie pop breakthrough with The Reminder. While Apple and Verizon capitaled on the sounds of "1,2,3,4" and "My Moon My Man" for marketing campaigns, "I Feel It All" and "The Water" were equally ear pleasing. I was lucky enough to see her genius in Ann Arbor this fall and The Reminder was just as perfect live.



#1 Arcade Fire Neon Bible

In 2007, Win Butler and company crafted a hauntingly good follow-up to The Funeral. Chilling vocals and an eerie pipe organ made songs like "Intervention" and "My Body Is A Cage" creepy in a good way, allowing "Keep The Car Running" and "No Cars Go" to light up the album with '80s-esque energy. Neon Bible blessed more ear drums than any other album this year. Let's hope the band's recent success and sightings with Bruce Springsteen fuel more inspiration for another smash album.



Honorable Mention: Bright Eyes Cassadega, K-OS Atlantis: Hymns For Disco (US Release in 2007), Arctic Monkeys Favourite Worst Nightmare, Jay-Z American Gangster, Modest Mouse We Were Dead Before The Ship Was Sinking, Kanye West Graduation, Bloc Party A Weekend In The City, Editors An End Has A Start, Maximo Park Our Earthly Pleasures, Winterpills The Light Divides

Jeremy Fisher: Cure For A "Blue Monday"

Jeremy Fisher is singer-songwriter from Vancouver, Canada. With the release of his sophomore album, Goodbye Blue Monday, he sure to draw many comparisons, but it shouldn't hold him down. With story-telling skills in the mold of Bob Dylan and Paul Simon combined with a scratchy, likable voice similar to Josh Rouse, success shouldn't be hard to find.

"Scar That Never Heals" is sure to rise to the top of hipster playlists with its up beat, playful "Cecilia"-like flavor. With hand claps a plenty and a '70s folk pop backing, its hard not to nod your head. Though I don't understand the hook ("she runs guns everyone wants guns/She runs guns everyone wants there she goes"), my best guess is that his lover's disdain for monogamy, is the cause for Fisher's melancholy, pain.

Apparently, Fisher paid attention in English 101 as he perfects personification on "Cigarette". The single features Fisher's Paul Simon-like, story-telling skills as he continuously offers himself to a female who keeps coming back. He lazily croons, "I’ll be your cigarette/Light me up and get on with it/I’ll be hard to forget/Good or bad I’m just a habit."

Goodbye Blue Monday is filled with upbeat bounds of indie/folk rock. Other highlights including "Jolene", the Americana filled "Remind Me", and the bouncy track "Sula" are sure to cure any Winter blues. Any similarities Jeremy Fisher attains to the aforementioned greats should be welcomed as a hint of Fisher's bright future.

Jeremy Fisher - Cigarette


Jeremy Fisher - Scar That Never Heals

Show Stopper: Girl Talk @ Eagle Theater 11/10/07 - Insanity on the Dance Floor

Pandemonium. Mayhem. Insanity. These are the best words I could think of that described the scene I witnessed in Pontiac on Saturday night, and they don't even come close. Girl Talk came to Eagle Theater this weekend and nearly incited a riot with a frenzy of mash-ups that shook the venue. And it was amazing.

Girl Talk aka Greg Gillis, has quickly garnered a cult following among bloggers, hipsters and music fans everywhere with his knack for creating hits out of hits. An engineer by day, entertainer by night, Mr. Gillis soon realized making people dance to mixtures of Dr. Dre & Billy Squier was his true calling. The Night Ripper, gained so much attention that Girl Talk earned sets on the major festival circuit (check out these videos from Coachella and the Montreal Jazz Festival) over the past 2 years. Though I hate the term mash-up, its the only phrase I have heard that best portrays his work. It just doesn't give justice to the expertise Gillis has for the precise beat-making heard on Saturday.

With a line that stretched around the corner of Saginaw St in Pontiac, the anticipation was building for the sold out show. You could sense the feeling that my fellow concert goers weren't sure what to expect. The Eagle Theater's unique decor, was certainly perfect for a unique event. From the ballroom type ceiling fixtures, to the disco influenced platforms, the venue was a mash-up of eras past, collaborating for the sold out event. The opening band, Death Set, didn't show up (according to Girl Talk, the band rocked too hard the night before), but people didn't seem to mind, giving a short chant for the headliner to arrive.

After a brief introduction by Girl Talk, the festivities were ready to commence. Gillis' bare bones approach, dressed in a white track suit and headwrap with a card table and wireless laptop, gave the feeling that he was only here for one reason, to make everyone party. From the first note of the opening song (a revamped edition of "Hold Up"), the crowd was in a frenzy and it only took a few seconds before the entire stage was filled with rowdy dancers. It wasn't long before the aforementioned table helmed by Girl Talk was engulfed in a sea of sweating bodies. While some of my group ventured to the madhouse on stage, the floor was equally electric. Jumping, dancing, and bouncing off people from every angle was the only way to move and not a soul gave a care or sharp elbow. I don't think I've ever seen that many people in one confined area smiling and dancing.

With the non-stop party in full swing, it was hard to take note of the exact sources of the many new creations blasting from the towering speakers. Which is really just a testament as to how amazing the whole event was. Aside from a smattering of tweaked tracks from The Night Ripper (including the classic Elton John/Notorious B.I.G. collabo, "Smash Your Head"), there was a mini Daft Punk tribute, a memorable rendition of Soulja Boy's "Crank That" with Jay-Z's "Big Pimpin" and countless new gems that will hopefully surface on a future album. After almost two hours of a non-stop dance party, everyone in Eagle Theater looked like they had left the best rain shower they had ever been in. Sign me up for Round 2.







I didn't have a camera, so thanks to whoever's pictures I borrowed...

Duran Duran: Pop Chart "Massacre"

Duran Duran wanted to make more than a comeback after threatening to fall into the abyss of fallen rock stars, they wanted to take over the pop charts. The band hoped to return to their new wave roots that made them staples on MTV in the '80s with hits like "Hungry Like The Wolf" and "Rio". So, they went out and hired two of the biggest names in music, Justin Timberlake and Timbaland (not to mention, protege Nate "Danja" Hills). Lead singer Simon le Bon confessed, Timbaland "was the only producer out there that we knew we all liked" and the collaboration turned into "Red Carpet Massacre".

Duran Duran's 12th album, Red Carpet Massacre, should be a sure-fire hit, when it is released on November 12th. Anticipation has already begun building from leaks of three tracks featuring Timbaland and JT's genii behind the boards. Will their seemingly midas touch give Duran Duran the success its already given Timbaland and JT's solo albums and other collaborations (Bjork, 50 Cent, Nelly Furtado, etc)?

If the early results are any indications, then the answer is a resounding yes. The first single, "Falling Down", is a mid-tempo ballad reminscent of tracks from "Future Sex/Love Sound". Listeners that didn't even see the '80s will easily relate to the reflective cut. The pace quickens on "Nite Runner". Timbaland quips ad-libs, while JT backs le Bon on the sexually charged hook with sublte cow-bell hits and beat boxing. "Skin Divers" delves further into new wave inspired territory with futuristic keyboard synth and irresistibly odd chorus ("It's a skin dive/In deep silence we are/Going underwater/It's a lifeline/Teardrop, bullets, all night/Dip into the water"). Timbaland shines with a funky few bars ("Babygirl you're swimming/A little too deep/So deep....that I think you might hit a reef") and trademark turntable-like vocals (think Aaliyah's "Try Again").

Though its more of a testament to the hit-making machine that is Timbaland and Justin Timberlake, Duran Duran show they can still convincingly make good pop songs. Simon le Bon told Rolling Stone earlier this month "We want Top Forty", Thats exactly what they will do.

Duran Duran - Falling Down (produced Justin Timberlake)


Duran Duran - Nite Runner ft Timbaland


Duran Duran - Skin Divers ft Timbaland

Beck - "Timebomb"

Beck recently caught my ear again, when he released a new single, "Timebomb". Though I hadn't paid much attention to Beck's career, his last album, The Information, hooked me with an experimental, new wave sound. Similar to hits like "Cell Phone's Dead" and "Nausea", "Timebomb" continues the trend with futuristic beeps and kinetic energy abound. I wasn't intrigued the first time I heard it with its non-sense driven chorus, but it grew on me with the tune's bouncy, progressive beat. Clearly, lyrics like "We got a timebomb/We got a timebomb/Na na na na" aren't exactly ground breaking, but synthesized chants mixed with hand claps and a bass guitar make for a catchy fun, song.

Perhaps one of the more interesting notes about the single, is that it is a single. Meaning, that is isn't attached to a Beck album past, present of future. It is a stand alone song released exclusively (at first) on I-Tunes. With the state of abysmal record sales plaguing the record industry, you have to wonder if many artists will release more singles and EPs rather than full length albums. You can't have a record sales showdown every Tuesday....or can you??

Beck - Timebomb

Eisely - Family "Combinations"

Eisley is a collective lead by the serene vocals of Sherri DuPree and made up of four siblings and one cousin. I was made aware of the band when they were featured as the "NPR Song of the Day" last week. They immediately caught my attention as soon as I heard them with intricate indie sensibilities mixed with pop flare and made me an instant fan.

Combinations is their second full length album on Warner Bros Records and it is chock full of lush, indie pop sounds reminiscent of the '60s. Eisley has many of the same ear-pleasing attributes as Rilo Kiley: a great lead singer, catchy, story-like songs and a strong band. The first single, "Invasion" shines as a political statement (possibly?) with an amped up, guitar driven chorus and dramatic lyrics: "And you, you, you, you/you would take the breath from my throat/and you, you, you, you,/you would take the cherished people that i hold". "A Sight to Behold" features the band's Radiohead influence with a heavier sound, but is still very accessible. It matches the love story about a forging ahead despite past failed relationships amid the new wave, bass-laden backing.

"Taking Control" stands out as an immediate favorite that should receive pop attention. The song refers to a romance in a downward spiral, where the narrator has no control of the situation. She finally stands her ground at the end by switching to chorus to the stand offish: "You've been making a joke of our lives/And you've been letting this go/You've been taking control of our lives/And you've been letting this go". Hopefully, it doesn't get overplayed (but I'm sure the band would be flattered) by being picked up by a "Grey's Anatomy"-like show as a theme song or something. I wouldn't be surprised if it did though, because it seems Eisley has crafted an album that shouldn't be overlooked.

Eisley - Invasion


Eisley - Taking Control


Eisely is currently on tour with Mute Math and will be playing at St Andrews Hall on October 13th. Check them out if you are in the area.